syndrome firedamp
You know the story of the bird in a cage in the coal mines? We took him because, before there were modern detectors, it was the best way to become aware of the deadly firedamp. The bird, because of its fragility, died first. Stop singing and lineage. The miners had so few chances to survive. If you run away in time. If anything went wrong.
I was gathering ideas to take down this article and I was reminded of this story that has nothing to do, or maybe yes. We have that music is the bird's case, the sensitive nerve that runs to the first (or among the first) the alarm when the situation starts to fall. And the rest following close behind: film, television, literature, information ... Ok, it's a romantic vision so distorted and partial. Moreover, we rockofili unrepentant. We tend to always put the music in the middle and first of all. To make a vital issue. Instead let alone who makes the music. See almost contemporaneee and convergent statements from two heavyweights of rock more or less independent Italian: Cristiano Godano the Wild Bunch and Francesco Bianconi on our webzine. The rocker
Cuneo, Chios the last working Marlene Kuntz , essentially condemned the free download that is compulsively stow packages in the hard disc of the mp3 that will never be heard as they should and deserve. The leader of Baustelle falls on the same wavelength, broadening the discourse to social networks to close an argument that smacks of sentence: " in the nineties, before there were new media, band as Not Forgotten lights or power plant would be perhaps more famous now, even without the media grapevine of the internet. I mean all this talk, this flow of information needed, is good, but not the artists. on blogs and social networks there is much talk of a band, but that if he wants to release a record, should pay for it with his own money. discs sold are equal to zero. Independent labels are closing down. .
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